• Consulting Services
  • Podcasting Is A Distraction For Broadcasters
  • Radio's Christmas Music Dilemma
  • The History of Research
  • Dave Van Dyke Bio, President Bridge Ratings
  • Most-read Studies
  • Welcome to Bridge Ratings
  • About Us
  • 19 Ways to Monetize Podcasts
  • AI Predictive Analysis Added to StreamStats
  • 2017: Podcasting's Breakthrough Year
  • Advertising Options for the Digital Age
  • Behind the Curtain: Pandora
  • The Benefits of On-demand Streaming
  • Comment & Feedback
  • Directory
  • Digital Marketing Best Practices
  • The Facebook Fatigue Dilemma
  • Genergraphics
  • How Can We Help?
  • Radio Missed Half the Hits Again Last Year
  • How Radio Uses Streaming Research
  • Lessons From the Digital Media Playbook
  • Media Compatibility
  • Media Passion 2018 vs 2008
  • Most-streamed Rock songs January 2021
  • Music Assist
  • Music Consumption
  • The New Media Gauntlet 2023 Update
  • Music Streaming & Broadcast Radio
  • Navigate the Future Blog
  • Navigate The Future Blog
  • On-Line Registration Distortion
  • Over/Unders
  • Pandora vs Spotify
  • Pandora Satisfaction Study
  • Podcasting Best Practices - The Study
  • Podcasting's Potential
  • Podcast Pulse
  • Podcast Time Spent Listening Revisited
  • The Podcast Report
  • Pure Play is Gaining
  • Radio's New Media Gauntlet 18-34 Year Olds
  • Radio Can't Accommodate Today's Hits
  • The Relationship Between Music Streaming & Music Sales
  • Smart Speakers to Drive Music Consumption
  • Social Media Network Hierarchy
  • Social Media Research
  • STREAMSTATS: Bridge Ratings On-demand Music Streaming
  • Streaming is Complementary to Radio
  • Streaming Research & Radio: The Perfect Match
  • StreamStats from Bridge Ratings
  • Subscribe
  • The Most Overlooked Benefits of Social Media
  • This Week's Charts
  • Menu
  • What Broadcast Radio is Learning from On-demand Streaming
Menu

Bridge Ratings Media Research

The Leader in Media Consumer Behavior Analysis
  • Consulting Services
  • Podcasting Is A Distraction For Broadcasters
  • Radio's Christmas Music Dilemma
  • The History of Research
  • Dave Van Dyke Bio, President Bridge Ratings
  • Most-read Studies
  • Welcome to Bridge Ratings
  • About Us
  • 19 Ways to Monetize Podcasts
  • AI Predictive Analysis Added to StreamStats
  • 2017: Podcasting's Breakthrough Year
  • Advertising Options for the Digital Age
  • Behind the Curtain: Pandora
  • The Benefits of On-demand Streaming
  • Comment & Feedback
  • Directory
  • Digital Marketing Best Practices
  • The Facebook Fatigue Dilemma
  • Genergraphics
  • How Can We Help?
  • Radio Missed Half the Hits Again Last Year
  • How Radio Uses Streaming Research
  • Lessons From the Digital Media Playbook
  • Media Compatibility
  • Media Passion 2018 vs 2008
  • Most-streamed Rock songs January 2021
  • Music Assist
  • Music Consumption
  • The New Media Gauntlet 2023 Update
  • Music Streaming & Broadcast Radio
  • Navigate the Future Blog
  • Navigate The Future Blog
  • On-Line Registration Distortion
  • Over/Unders
  • Pandora vs Spotify
  • Pandora Satisfaction Study
  • Podcasting Best Practices - The Study
  • Podcasting's Potential
  • Podcast Pulse
  • Podcast Time Spent Listening Revisited
  • The Podcast Report
  • Pure Play is Gaining
  • Radio's New Media Gauntlet 18-34 Year Olds
  • Radio Can't Accommodate Today's Hits
  • The Relationship Between Music Streaming & Music Sales
  • Smart Speakers to Drive Music Consumption
  • Social Media Network Hierarchy
  • Social Media Research
  • STREAMSTATS: Bridge Ratings On-demand Music Streaming
  • Streaming is Complementary to Radio
  • Streaming Research & Radio: The Perfect Match
  • StreamStats from Bridge Ratings
  • Subscribe
  • The Most Overlooked Benefits of Social Media
  • This Week's Charts
  • Menu
  • What Broadcast Radio is Learning from On-demand Streaming
×

Navigate the Future Blog

by Dave Van Dyke, President
Bridge Ratings Media Research

Podcasting and the Paradox of Choice

Dave Van Dyke April 10, 2025

How Decision Stress Is Changing Listening Habits

In the early days of podcasting, finding something new to listen to felt like a treasure hunt—there were only a few thousand shows, many of them passion projects, and the process of discovery was part of the appeal. Fast forward to today, and the landscape has changed dramatically. With over five million podcasts and tens of millions of episodes available globally, podcasting has become a saturated marketplace. While this growth is a testament to the medium’s vitality and reach, it also introduces a new challenge for consumers: decision stress.

Decision stress—also known as choice overload—occurs when the sheer number of available options makes it harder, not easier, for people to make a selection. It’s a paradox that has been studied extensively in behavioral psychology and is now increasingly relevant in the world of digital media. In podcasting, this stress manifests in several ways, all of which are beginning to impact how and how often people consume content.

First, discovery fatigue is real. Listeners often find themselves spending more time scrolling through their podcast apps than actually listening. Recommendation algorithms offer some help, but they are far from perfect. Most rely on broad popularity or surface-level metadata, often missing the mark on personal taste or niche interests. As a result, many listeners default to what’s familiar: they stick to a handful of known shows or replay old favorites rather than venture into the overwhelming unknown.

Second, the abundance of choices can lead to a kind of passive disengagement. Much like the phenomenon on streaming platforms where viewers endlessly browse without watching anything, podcast listeners can fall into a similar rut. When faced with too many equally appealing options, people may simply opt out altogether—choosing silence, music, or another medium that requires less cognitive effort.

This dynamic is particularly notable among casual listeners. Heavy podcast users may still enjoy the hunt for new voices and ideas, but occasional listeners—who could represent significant growth potential for the industry—are often the ones most affected by decision stress. If finding something to listen to feels like a chore, these users are less likely to form regular habits.

Podcast creators and platforms are beginning to take notice. Some are curating more tightly defined playlists or “starter packs” to guide listeners. Others are experimenting with short-form podcast discovery tools, akin to social media reels, that offer quick, swipeable previews of full-length episodes. These efforts are designed to reduce friction and simplify the decision-making process.

Ultimately, the problem isn’t the quantity of content—it’s the lack of reliable, personalized pathways through it. As podcasting continues to mature, solving the challenge of decision stress will be key to sustaining and expanding its audience. Listeners don’t need more choices; they need better ones. And more than anything, they need help navigating the noise.

In the age of abundance, curation is king. The platforms and creators that can master the art of thoughtful, intuitive recommendation will be the ones that define podcasting’s next chapter.

Comment

Radio’s Digital Evolution: From Survival to Cross-Platform Success

Dave Van Dyke April 7, 2025

Two decades ago, the radio industry found itself staring down a digital revolution that threatened its very survival. As streaming services, social media, and on-demand content began to pull ears and attention away from traditional broadcast signals, many feared radio was destined to fade into the background. But the industry didn’t just survive—it evolved.

Today, radio is thriving in ways that would have been unimaginable in the early 2000s. The difference? Broadcasters no longer see themselves as “radio stations.” They see themselves as content creators, brand builders, and multi-platform media operations.

From “Cross-Platform” to “All-Platform”

In the early days of digital, broadcasters clung to the idea of using the internet to drive people back to their over-the-air signals. But that playbook has changed. At this year’s NAB Show in Las Vegas, veteran radio consultant Buzz Knight summed it up best: “We use the phrase cross-platform but it’s really all-platform in today’s environment.”

Radio’s reach is no longer confined to a dial. Instead, it’s about getting the content to the audience—wherever they are. That could be through a podcast on Spotify, a livestream on YouTube, or a viral TikTok clip. For many broadcasters, this means leaning into platforms that, not too long ago, were considered secondary or even threats.

A New Mindset: Content First, Platform Second

One of the biggest shifts in radio’s digital journey is a philosophical one: it no longer matters where someone listens, only that they listen. “We need to focus more that they use us, not where they use us,” said Alpha Media’s Executive VP of Content, Phil Becker. And it’s not just about driving back to the mothership—it’s about making content that stands on its own across all digital touchpoints.

Stations are finding that high-value content drives engagement, regardless of whether it’s aired, streamed, or swiped through. From music interviews to personality-driven podcasts, the goal is to create compelling experiences that resonate with distinct audiences across platforms.

Digital as a Ratings and Revenue Driver

Some stations are finding that digital is more than just an audience tool—it’s a ratings driver and revenue booster. Hubbard Radio’s Greg Strassell notes that their YouTube livestream of WTOP-FM in Washington, DC is averaging 17 minutes of watch time per viewer, outpacing typical over-the-air listening sessions. And it’s opening up new ad dollars too.

There’s also a growing understanding that platforms like YouTube and TikTok can serve as powerful marketing tools—especially when traditional promotion budgets are shrinking. Becker from Alpha Media even suggests paid promotions on YouTube as an efficient way to push content and inflate its reach for potential advertisers.

Reaching Radio’s Next Generation

Matt Shearer, who creates viral TikTok videos for WBZ Boston, is proof that personality and storytelling still matter—they just need to be formatted for the feed. His work began reaching 18- to 24-year-olds and has now spread to broader demos, delivering a measurable bump in ratings among the coveted 25-54 male demo.

As Shearer put it: “If you’re not making everything you do cross-platform, then you’re missing an opportunity.” Radio's next generation of listeners aren’t tuning in with a knob—they’re watching on screens, swiping through stories, and clicking through podcasts.

From Transmitters to Transformation

Perhaps the most powerful proof of concept is Alpha Media’s “Spout” podcast. Built with existing radio resources, the show now averages 400,000 downloads a week and is being courted by streaming companies. That level of reach would be difficult—if not impossible—for many mid-market stations using only their traditional signal.

“This didn’t require any additional resources than we already had,” said Becker. “You can reach a much bigger audience than with your transmitter.”

Conclusion: Radio’s True Renaissance

What we’re witnessing isn’t just radio’s survival—it’s its reinvention. The last twenty years have seen the medium go from defending its turf to expanding its horizons. From YouTube livestreams to TikTok explainers to podcast empires built on traditional brand trust, radio is finally competing on all fronts—not by clinging to the past, but by owning the future.

The transmitter still matters. But now, it's just one of many tools in the broadcaster’s toolkit. And that’s how radio not only stays relevant—it thrives.

Comment

The Financial Landscape of Modern Media Consumption

Dave Van Dyke March 30, 2025

The Financial Landscape of Modern Media Consumption

The media industry is driven by a complex web of revenue models, investment strategies, and financial pressures. As traditional media adapts to digital disruptions and emerging platforms battle for market share, financial viability is a key concern. Here’s a breakdown of the financial elements shaping each major media category.

Traditional Media: Revenue Decline & Digital Transition

Television (Broadcast & Cable)

  • Revenue Streams: Advertising (linear TV ads), subscriptions (cable bundles), syndication, licensing.

  • Financial Challenges: Cord-cutting has eroded cable TV revenues, while declining live TV viewership reduces ad rates.

  • Future Outlook: Broadcasters are investing in streaming services (e.g., Disney+ and Peacock), shifting from ad-supported TV to subscription-based and hybrid models. Sports rights remain a major cost but are also a key driver of profitability.

Radio (AM/FM)

  • Revenue Streams: Advertising (local and national), sponsorships, live events.

  • Financial Challenges: Advertiser spending has shifted to digital and streaming platforms, and younger audiences are tuning out traditional radio.

  • Future Outlook: Digital streaming and podcast integration could help offset declines in traditional ad revenue, with programmatic ad sales playing a growing role.

Newspapers & Magazines

  • Revenue Streams: Subscriptions (print and digital), advertising, sponsorships, affiliate marketing.

  • Financial Challenges: Print advertising revenue has plummeted, and digital subscriptions alone may not sustain profitability.

  • Future Outlook: Premium digital subscriptions and niche content monetization (e.g., Substack, paywalls) are critical for survival, while AI-driven content automation could reduce costs.

Digital Media: Subscription & Ad-Driven Growth

Streaming Video (Netflix, Disney+, YouTube, etc.)

  • Revenue Streams: Subscriptions (SVOD), advertising (AVOD, FAST), licensing, merchandise.

  • Financial Challenges: High content production costs, subscriber churn, and increased competition make profitability difficult.

  • Future Outlook: The rise of ad-supported tiers and bundling strategies (e.g., Disney-Hulu-ESPN bundles) aims to balance revenue streams and reduce dependency on subscriptions alone.

Streaming Audio (Spotify, Apple Music, Podcasts)

  • Revenue Streams: Subscriptions, advertising (programmatic ads, sponsorships), licensing deals.

  • Financial Challenges: Music streaming margins are thin due to high royalty payouts. Podcasting, while growing, still has an unstable ad market.

  • Future Outlook: AI-powered content recommendations, podcast monetization growth, and dynamic ad insertion will shape profitability.

Social Media (Facebook, TikTok, Instagram, X, etc.)

  • Revenue Streams: Advertising (programmatic, influencer marketing), e-commerce (Instagram Shopping, TikTok Shop), subscriptions (X Premium).

  • Financial Challenges: Regulatory scrutiny, data privacy laws, and ad market fluctuations create revenue volatility.

  • Future Outlook: AI-driven ad targeting, deeper integration with commerce, and potential subscription models could increase revenue diversity.

Interactive & Emerging Media: High Growth, High Risk

Gaming & Virtual Worlds

  • Revenue Streams: Game sales, in-game purchases (microtransactions), advertising, subscriptions, esports sponsorships.

  • Financial Challenges: Development costs are high, and monetization relies on unpredictable consumer spending.

  • Future Outlook: Cloud gaming, virtual economies (NFTs, metaverse investments), and ad-supported models could drive future revenue.

AI & Personalized Media

  • Revenue Streams: Licensing AI-generated content, subscription-based AI services, advertising through personalized feeds.

  • Financial Challenges: Ethical concerns, legal battles over AI-generated content, and regulatory challenges.

  • Future Outlook: AI-powered content creation could dramatically reduce costs, but monetization models are still evolving.

Conclusion

The financial future of media hinges on adaptability. Traditional media must transition to digital revenue models, while digital platforms face increasing content costs and regulatory pressures. Emerging media, from AI-driven content to gaming and interactive experiences, presents high-growth opportunities but also financial uncertainty. The winners will be those who successfully balance content investment, audience engagement, and diversified revenue streams.

Comment
← NewerOlder →

How On-line Playlisting Can Save Music Radio

For music programmers who have been utilizing on-demand streaming data to properly align their on-air music with true music consumption, here's some news: Playlisting has become the dominant way most music fans listen.

At Bridge Ratings we have been tracking music consumption through on-demand streaming services for over four years. We now share this data with our music radio clients seeking to properly align their on-air song exposure to their listeners' actual consumption.

In a typical year we process and analyze hundreds of millions of streams from across the U.S. and, more specifically, by market and station.

Over the past three years we have undertaken an analysis of music streaming consumption and learned almost immediately in the fall of 2015 that playlisting plays a significant role in the way the average person consumes music through on-demand streaming platforms.

Playlist is a term to describe a list of video or audio files that can be played back on a media player sequentially or in random order. In its most general form, an audioplaylist is simply a list of songs, but sometimes a loop.

What We've Learned

[More...]

Read the full article in the Navigate the Future Blog.

For further information or advisement contact Dave Van Dyke:  dvd@bridgeratings.com  |  (323) 696-0967

Copyright 2024 Bridge Ratings LLC   All Rights Reserved

 Los Angeles Las Vegas Chicago Boston Dallas