• Consulting Services
  • Podcasting Is A Distraction For Broadcasters
  • Radio's Christmas Music Dilemma
  • The History of Research
  • Dave Van Dyke Bio, President Bridge Ratings
  • Most-read Studies
  • Welcome to Bridge Ratings
  • About Us
  • 19 Ways to Monetize Podcasts
  • AI Predictive Analysis Added to StreamStats
  • 2017: Podcasting's Breakthrough Year
  • Advertising Options for the Digital Age
  • Behind the Curtain: Pandora
  • The Benefits of On-demand Streaming
  • Comment & Feedback
  • Directory
  • Digital Marketing Best Practices
  • The Facebook Fatigue Dilemma
  • Genergraphics
  • How Can We Help?
  • Radio Missed Half the Hits Again Last Year
  • How Radio Uses Streaming Research
  • Lessons From the Digital Media Playbook
  • Media Compatibility
  • Media Passion 2018 vs 2008
  • Most-streamed Rock songs January 2021
  • Music Assist
  • Music Consumption
  • The New Media Gauntlet 2023 Update
  • Music Streaming & Broadcast Radio
  • Navigate the Future Blog
  • Navigate The Future Blog
  • On-Line Registration Distortion
  • Over/Unders
  • Pandora vs Spotify
  • Pandora Satisfaction Study
  • Podcasting Best Practices - The Study
  • Podcasting's Potential
  • Podcast Pulse
  • Podcast Time Spent Listening Revisited
  • The Podcast Report
  • Pure Play is Gaining
  • Radio's New Media Gauntlet 18-34 Year Olds
  • Radio Can't Accommodate Today's Hits
  • The Relationship Between Music Streaming & Music Sales
  • Smart Speakers to Drive Music Consumption
  • Social Media Network Hierarchy
  • Social Media Research
  • STREAMSTATS: Bridge Ratings On-demand Music Streaming
  • Streaming is Complementary to Radio
  • Streaming Research & Radio: The Perfect Match
  • StreamStats from Bridge Ratings
  • Subscribe
  • The Most Overlooked Benefits of Social Media
  • This Week's Charts
  • Menu
  • What Broadcast Radio is Learning from On-demand Streaming
Menu

Bridge Ratings Media Research

The Leader in Media Consumer Behavior Analysis
  • Consulting Services
  • Podcasting Is A Distraction For Broadcasters
  • Radio's Christmas Music Dilemma
  • The History of Research
  • Dave Van Dyke Bio, President Bridge Ratings
  • Most-read Studies
  • Welcome to Bridge Ratings
  • About Us
  • 19 Ways to Monetize Podcasts
  • AI Predictive Analysis Added to StreamStats
  • 2017: Podcasting's Breakthrough Year
  • Advertising Options for the Digital Age
  • Behind the Curtain: Pandora
  • The Benefits of On-demand Streaming
  • Comment & Feedback
  • Directory
  • Digital Marketing Best Practices
  • The Facebook Fatigue Dilemma
  • Genergraphics
  • How Can We Help?
  • Radio Missed Half the Hits Again Last Year
  • How Radio Uses Streaming Research
  • Lessons From the Digital Media Playbook
  • Media Compatibility
  • Media Passion 2018 vs 2008
  • Most-streamed Rock songs January 2021
  • Music Assist
  • Music Consumption
  • The New Media Gauntlet 2023 Update
  • Music Streaming & Broadcast Radio
  • Navigate the Future Blog
  • Navigate The Future Blog
  • On-Line Registration Distortion
  • Over/Unders
  • Pandora vs Spotify
  • Pandora Satisfaction Study
  • Podcasting Best Practices - The Study
  • Podcasting's Potential
  • Podcast Pulse
  • Podcast Time Spent Listening Revisited
  • The Podcast Report
  • Pure Play is Gaining
  • Radio's New Media Gauntlet 18-34 Year Olds
  • Radio Can't Accommodate Today's Hits
  • The Relationship Between Music Streaming & Music Sales
  • Smart Speakers to Drive Music Consumption
  • Social Media Network Hierarchy
  • Social Media Research
  • STREAMSTATS: Bridge Ratings On-demand Music Streaming
  • Streaming is Complementary to Radio
  • Streaming Research & Radio: The Perfect Match
  • StreamStats from Bridge Ratings
  • Subscribe
  • The Most Overlooked Benefits of Social Media
  • This Week's Charts
  • Menu
  • What Broadcast Radio is Learning from On-demand Streaming
×

Navigate the Future Blog

by Dave Van Dyke, President
Bridge Ratings Media Research

An Option to Mainstream Streaming Services?

Dave Van Dyke March 24, 2025

Creating a streaming platform dedicated exclusively to indie artists—one that exists outside the mainstream algorithm-driven ecosystems of Spotify, Apple Music, and Amazon Music—could absolutely be a realistic and beneficial endeavor. While the dominance of major labels and their close relationships with mainstream streaming services shape much of today’s music discovery, an alternative platform that prioritizes independent artists could serve as both a discovery tool for consumers and an ecosystem that supports artists in ways major platforms do not.

The Consumer Perspective: A True Discovery Experience

  1. More Diverse and Authentic Music Discovery – Mainstream platforms largely feed users music that’s already performing well, often from major label-backed artists. A dedicated indie platform could provide a more organic discovery process, exposing listeners to artists who may not have major label funding but still produce high-quality, innovative music.

  2. Personalized, Human-Curated Playlists – Instead of being pushed music by algorithms that reinforce existing popular trends, users could experience discovery based on human curation, user-generated playlists, and editorialized recommendations from tastemakers who genuinely focus on artistry over engagement metrics.

  3. A More Engaged Community – The platform could foster a deeper connection between artists and listeners by enabling direct interaction, exclusive releases, or behind-the-scenes content. This would appeal to music fans who want to engage beyond passive listening.

The Indie Artist Perspective: A Platform Built for Their Growth

  1. Better Revenue and Exposure – Instead of competing with major-label artists for playlist placements and algorithmic exposure, indie artists would have a dedicated space where they are prioritized. The revenue model could also be more artist-friendly, ensuring they receive fairer compensation compared to what mainstream streaming platforms currently offer.

  2. More Control Over Their Music and Brand – Indie artists often struggle to stand out on Spotify due to the sheer volume of content. A niche platform could provide them with better tools for branding, marketing, and connecting with their audience, including better insights into listener engagement.

  3. Niche Audience Development – Instead of being drowned out by mainstream content, indie artists would be placed in front of an audience actively seeking fresh, independent music. This would lead to a more passionate fanbase rather than passive listeners.

Benefits for Indie Labels and the Music Industry

  1. A New Revenue Stream for Indie Artists and Labels – If structured with a more equitable payout model (e.g., a direct fan-to-artist subscription model like Bandcamp’s or Patreon-style membership tiers), it could create new opportunities for indie labels to thrive without relying on streaming payouts designed for major labels.

  2. A Space for Niche Genres to Flourish – Many niche or experimental genres don’t receive mainstream playlisting. A dedicated indie platform could become a breeding ground for new music movements, much like SoundCloud was for hip-hop or Bandcamp is for underground electronic music.

  3. Potential to Disrupt the Streaming Monopoly – If such a platform gains traction, it could challenge the current system where major labels dictate streaming success. This could lead to broader industry changes, potentially forcing mainstream platforms to rethink their indie artist strategies.

Challenges & Feasibility

  • Consumer Adoption – While the idea is appealing, getting everyday music consumers to sign up for a new service is a significant challenge. The platform would need a unique value proposition that makes it essential rather than just a novelty.

  • Monetization Strategy – It would have to avoid the low-payout model that plagues major streaming platforms. Perhaps a hybrid model of subscriptions, artist tips, or NFT-style ownership could be used.

  • Content Licensing & Rights Management – Indie artists often distribute through platforms like DistroKid or CD Baby, which push their music to mainstream services. Would they also distribute to this indie platform, or would it require exclusivity?

Final Thoughts

A dedicated indie streaming platform could absolutely work if positioned correctly. The key would be in differentiating the user experience—offering true music discovery, better artist compensation, and a deeper connection between listeners and artists. If executed well, it could become a haven for those seeking music outside the mainstream and a major step toward a more balanced digital music economy.

Dave Van Dyke. President

Comment

The Problem with Background Listening: Why Active Engagement Matters for Artists & Radio Listeners

Dave Van Dyke March 9, 2025

Radio and streaming platforms like Spotify shape listening habits.

For artists and radio, passive listening reduces engagement. One of the most striking problems is the dominance of background, or “lean-back,” listening—where music becomes a passive, mindless experience. This shift toward algorithm-driven, mood-based consumption raises critical concerns for listeners, artists, music culture, and even listeners themselves.

Background Listening: The Algorithm’s Dream, The Artist’s Nightmare

Background listening refers to music played with minimal engagement— for streaming users select a playlist (often algorithmically curated) and let it run, rarely paying attention to the artists, song structures, or lyrics. While radio doesn’t generally use algorithms to program music, the effect can still be the same. These are not albums or artist-curated projects but rather collections of songs assembled for a specific mood or function.

This type of listening is highly profitable for streaming services and may build longer listening occasions for radio. . Users stay on the platform for long periods, generating ad revenue (for free-tier listeners) and increasing retention for paid subscriptions. But for artists, it’s a different story. Background listening devalues their work by reducing songs to interchangeable sonic wallpaper, stripping away artistic intent and emotional connection.

Since royalties are paid per stream, not per minute listened, passive listening also means songs must cater to the algorithm’s preferences—shorter runtimes, immediate hooks, and a non-disruptive sound profile. This shifts the creative process away from artistry and toward gaming the system. This leads to a flood of homogenous, mood-driven music, where artists are less incentivized to take creative risks or build deep fan connections.

Active Listening: A Lifeline

On the other hand, active or “lean-in” listening involves engagement— good for artists - great for radio station loyalty. This kind of listening creates deeper connections between artists or radio stations and fans, fostering loyal audiences rather than passive consumption and recognition.

Engaged listeners are far more valuable than passive ones. These fans attend concerts, buy merchandise, and follow an artist’s career rather than just stumbling upon a track in a playlist. For radio engagement equals ratings and brand loyalty.

The Mindlessness of Passive Consumption

The problem with background listening isn’t just its impact on artists or music radio —it also degrades the listening experience itself. Music becomes a tool for productivity or relaxation rather than to be appreciated. This passivity makes music disposable, stripping it of its cultural and emotional significance.

While music has always had a functional aspect (background music in cafes, radio in cars), streaming services have taken this to an extreme. When playlists are designed to fade into the background, the artistry that makes music meaningful is lost. Songs become indistinguishable, and listening becomes a habit rather than an experience.

Which Is Better?

From an artist and radio active listening is unquestionably better. It fosters deeper connections, more sustainable artist careers, brand loyalty for radio stations vying for frequent use and daily listening occasions which can generate powerfully responsive audiences.

The streaming economy is built on passive listening, meaning artists and industry professionals must find new ways to encourage engagement—through storytelling, fan communities, and alternative revenue streams like live performances and direct-to-fan platforms.

Ultimately, the question isn’t whether background listening is inherently bad—it’s whether it should be the dominant mode of music consumption. When music becomes purely functional, artists suffer, and radio listeners lose the richness of an immersive, intentional musical experience.

Comment

Spotify’s Playlist Ecosystem: The Mood Machine at Work

Dave Van Dyke March 6, 2025

Spotify’s rise to dominance in the music streaming industry is largely built on its playlist ecosystem—a system designed not just to serve listeners but to shape their habits, emotions, and even the music industry itself. Spotify’s playlists function as a passive, algorithm-driven experience that prioritizes mood-based listening over active engagement with artists or albums. The result? A platform that subtly influences both listener behavior and the music being created.

Playlists as a Tool of Passive Consumption

Spotify’s playlists, especially its mood-driven ones (like Chill Vibes, Deep Focus, and Sad Indie), push users toward passive consumption. Instead of searching for specific artists or albums, listeners let the algorithm guide their choices. This shift benefits Spotify in two key ways: it increases the amount of time people spend on the platform and allows the company to exert control over music discovery.

For artists, this presents a challenge. Instead of building a fanbase through deep engagement, many now aim to land on playlists with high follower counts. The emphasis shifts from artistic identity to creating music that fits within an algorithmically curated sonic landscape. Songs become shorter, instrumentals more ambient, and vocals less distinctive—all optimized to slide seamlessly into Spotify’s mood playlists.

The Death of Genre and the Rise of “Vibe”

Spotify’s playlist-driven ecosystem also plays a role in eroding traditional genre distinctions. Where radio once organized music into clear formats—rock, hip-hop, country—Spotify organizes it by “vibes.” Playlists like Lo-Fi Beats or Peaceful Piano group songs not by their historical or cultural roots but by how they make listeners feel. This categorization rewards sonic sameness over innovation.

This system doesn’t just change how people listen—it changes what gets made. Artists aiming for playlist placements may find themselves chasing a vague aesthetic rather than pushing creative boundaries. In this world, a song’s function (does it help someone concentrate? Does it create a relaxed atmosphere?) matters more than its meaning or context.

Spotify’s Role as the Invisible DJ

Perhaps what is the most striking on this analysis of Spotify is that it acts as an invisible DJ, subtly shaping the sound of contemporary music without listeners realizing it. Unlike traditional radio DJs or magazine critics who made subjective (and sometimes controversial) recommendations, Spotify’s algorithm appears neutral. But this neutrality is an illusion.

Spotify’s control over its biggest playlists gives it immense power in determining who gets heard. While independent curators once shaped music discovery, today, Spotify’s editorial team and algorithmic processes act as gatekeepers. The result? A landscape where a select few artists, often those who work well within the platform’s sonic framework, dominate streaming numbers while others struggle to gain visibility.

The Future of Playlist Culture

Spotify’s playlist ecosystem isn’t going anywhere, and for many listeners, it provides an easy, frictionless way to enjoy music. But there are trade-offs. The shift from active engagement to passive consumption, from genre to vibe, and from artist-driven discovery to algorithmic curation raises important questions about the future of music.

For artists, resisting the “mood machine” means finding ways to connect with audiences beyond playlists—through live shows, direct-to-fan platforms, or even old-school album narratives. For listeners, it means recognizing that every playlist is curated with an agenda, even if it’s not immediately visible. The algorithm may be powerful, but at the end of the day, music is most meaningful when it’s chosen, not just served.

Comment
← NewerOlder →

How On-line Playlisting Can Save Music Radio

For music programmers who have been utilizing on-demand streaming data to properly align their on-air music with true music consumption, here's some news: Playlisting has become the dominant way most music fans listen.

At Bridge Ratings we have been tracking music consumption through on-demand streaming services for over four years. We now share this data with our music radio clients seeking to properly align their on-air song exposure to their listeners' actual consumption.

In a typical year we process and analyze hundreds of millions of streams from across the U.S. and, more specifically, by market and station.

Over the past three years we have undertaken an analysis of music streaming consumption and learned almost immediately in the fall of 2015 that playlisting plays a significant role in the way the average person consumes music through on-demand streaming platforms.

Playlist is a term to describe a list of video or audio files that can be played back on a media player sequentially or in random order. In its most general form, an audioplaylist is simply a list of songs, but sometimes a loop.

What We've Learned

[More...]

Read the full article in the Navigate the Future Blog.

For further information or advisement contact Dave Van Dyke:  dvd@bridgeratings.com  |  (323) 696-0967

Copyright 2024 Bridge Ratings LLC   All Rights Reserved

 Los Angeles Las Vegas Chicago Boston Dallas